Includes bibliographical references.
|Statement||edited by David Brooks and Brenda Walker.|
|Series||UQP studies in Australian literature|
|Contributions||Brooks, David, 1953-, Walker, Brenda, 1957-|
|LC Classifications||PR9614 .P66 1989|
|The Physical Object|
|Pagination||vi, 259 p. ;|
|Number of Pages||259|
|LC Control Number||90109439|
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Modernist Poetry, Gender and Leisure Technologies: Machine Amusements explores how modernist women poets were inspired by leisure technologies to write new versions of the gendered ng on American women writers and particularly on the city of New York, the book argues that the poetry of modernist women that engages with, examines or critiques the new leisure . Saying that there is a gender bias in literature (or, more specifically, in publishing) will get you in trouble, particularly if you’re a writer. And yet, there it is: the publishing industry is. Her poetry and fiction often centers around the experiences of Black girls and women, and explores themes of home, identity, and the intersections of race, class, and gender. Her books include young adult novels, Piecing Me Together and This Side of Home, which were both nominated for the Best Fiction for Young Adults by the American Library. Presents an exploration of the relationship between gender issues and genre choice in the work of the canonical male poets of the Romantic period. This text examines the ways in which such poetic genres as the pastoral, the sonnet, the ode, the epic and the drama are deployed in the work of Coleridge, Wordsworth, Keats, Byron and Shelley. The author provides insights into the ambiguous.